Criticism

Is the Twenty-First Century a Creative Void?

Critics mourn a bygone cultural era. But nostalgia for the new isn't new.
Louise Lawler’s yellowy dye-destruction print of Warhol’s “Round Marilyn”

Searching for Seamus Heaney

What I found when I resolved to read him

James Schuyler’s Genius

Why our greatest poet of the everyday has become a poet of the moment

The Elusive Poet of Desire

Why biographers can’t pin Cavafy down

Reading the Declaration of Independence as Holy Text

How the American creed emerged—and evolved—over 250 years

Terrence Malick’s Disciples

Why the auteur is the most influential director in Hollywood

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Criticism

Lou Reed Didn’t Want to Be King

A biography tries to pin the rocker down
October 16, 2023

10 Ways Ms., Sassy, and Jezebel Changed Your Life!

How contradiction drove fifty years of feminist media
September 18, 2023

How Emily Wilson Reimagined Homer

Her boldly innovative translation of the Iliad is an epic for our time
September 18, 2023

The Choice Plot

Why are so many new novels obsessed with whether–and how–to have children?
September 18, 2023

Service or Servitude?

The Bear and The Menu give us very different views of capitalism
September 12, 2023

Ordinary Allurements

Christina Sharpe’s reading lessons
June 12, 2023

The Consolations of Failure

Two new books look at what failing can—and cannot—teach us
June 12, 2023

Beyond the Attention Economy

Turning to face our burning world
May 23, 2023

How to Sharpen a Scythe

Is paying attention good in itself?
May 23, 2023

Sublimation and Self-Possession

Bearing witness to life’s weirdness
May 23, 2023